https://teyenhsu.com teyen hsu Thu, 15 May 2025 11:23:32 +0000 https://teyenhsu.com en https://teyenhsu.com/Text-desktop Thu, 15 May 2025 11:23:32 +0000 teyen hsu https://teyenhsu.com/Text-desktop teyenhsu.com Te-Yen Hsu (b.1997) is a Taiwanese artist &amp; designer, multimedia storyteller, and cyber cavewoman currently based URL-ly in these links:&nbsp;teyenhsu.com , @a_harmless_joke , and youtube.com/@yennyenski , IRL-ly in Eindhoven, the Netherlands. She is drawn to the small cracks in coherent identity and totalizing systems.Her practice focuses on tracing the subtle frictions hidden beneath the smooth surfaces of everyday life—those quiet ruptures that reveal the absurdities of the values and realities we’ve grown used to.One of her favorite gestures is to create avatars across the internet, using the agency of a single human body.Her work riffs on a bricolage of digital and physical material culture, weaving together fragments from both ancient and contemporary popular imagery. When she feels lost in this world, she follows the traces of her matriarchal ancestors.She is obsessed with the hypertextuality embedded in all forms of storytelling, and always positions her own work as a single knot in this vast and tangled web. 徐德言於1997年出生台灣，是一個賽博洞人、採故事的人、設計師和藝術家。顯跡於這些網頁之中：teyenhsu.com，@a_harmless_joke，youtube.com/@yennyenski 以及歐洲、荷蘭、安荷芬。 Full CV︎︎︎ (last update: 2025 May) Atelier de yenhsu @nyongasao (ongoing)&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;<img width="6048" height="4024" width_o="6048" height_o="4024" data-src="https://freight.cargo.site/t/original/i/b15d33552582f8b0e9699af514bf1e988ae2de1b5d9e1dc1d2ec8e0c284affe7/Hanako-53.jpg" data-mid="233509780" border="0" src="https://freight.cargo.site/w/1000/i/b15d33552582f8b0e9699af514bf1e988ae2de1b5d9e1dc1d2ec8e0c284affe7/Hanako-53.jpg" /> Gravity and A Woman Looking for Water<img width="3010" height="1702" width_o="3010" height_o="1702" data-src="https://freight.cargo.site/t/original/i/53e73876ef6c554639bfe80303fbbd0841441de13b4979556d8e2d83e0729ca8/-2023-12-01-7.05.33.png" data-mid="233479371" border="0" src="https://freight.cargo.site/w/1000/i/53e73876ef6c554639bfe80303fbbd0841441de13b4979556d8e2d83e0729ca8/-2023-12-01-7.05.33.png" /> still life&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;<img width="2816" height="1882" width_o="2816" height_o="1882" data-src="https://freight.cargo.site/t/original/i/ef22cfc2a2534c6c145c9b0ac26f98f51b26a913459d693b1b147d1f99c6b89e/-2023-12-01-1.57.26.png" data-mid="233480603" border="0" src="https://freight.cargo.site/w/1000/i/ef22cfc2a2534c6c145c9b0ac26f98f51b26a913459d693b1b147d1f99c6b89e/-2023-12-01-1.57.26.png" /> framed&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<img width="1000" height="2017" width_o="1000" height_o="2017" data-src="https://freight.cargo.site/t/original/i/b52636ba44829041fcb16435278d9d9389b47de886c03a680221583293c1cc12/3.png" data-mid="233509825" border="0" src="https://freight.cargo.site/w/1000/i/b52636ba44829041fcb16435278d9d9389b47de886c03a680221583293c1cc12/3.png" /> Make Things Sacred Again: O.M.G.<img width="1494" height="842" width_o="1494" height_o="842" data-src="https://freight.cargo.site/t/original/i/e75adcf27769c1de866665cfcbe21d358a31ee93f9f496f702cb1bb7081d4374/-2022-05-13-10.26.24.png" data-mid="233510052" border="0" src="https://freight.cargo.site/w/1000/i/e75adcf27769c1de866665cfcbe21d358a31ee93f9f496f702cb1bb7081d4374/-2022-05-13-10.26.24.png" /> How to Read a Picture?&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/0686197f0735bcae8724f9281475556926ab4804fe385d6d6f9f1a64a15b42e1/IMG_8391.jpg" data-mid="233510014" border="0" src="https://freight.cargo.site/w/1000/i/0686197f0735bcae8724f9281475556926ab4804fe385d6d6f9f1a64a15b42e1/IMG_8391.jpg" /> Do Nothing Machine&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<img width="2838" height="1890" width_o="2838" height_o="1890" data-src="https://freight.cargo.site/t/original/i/c092fac2d88bd5b5233da498dcb270da53bd2527fc20f62c465e8244e285cdcd/cover.jpg" data-mid="233509912" border="0" src="https://freight.cargo.site/w/1000/i/c092fac2d88bd5b5233da498dcb270da53bd2527fc20f62c465e8244e285cdcd/cover.jpg" /> After Consent&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;<img width="2140" height="627" width_o="2140" height_o="627" data-src="https://freight.cargo.site/t/original/i/5e0fd38571a8a8d1e655b2f2185a53d2d870bc4c681df4cf0024a64374168b92/privacy-policy.png" data-mid="233509919" border="0" src="https://freight.cargo.site/w/1000/i/5e0fd38571a8a8d1e655b2f2185a53d2d870bc4c681df4cf0024a64374168b92/privacy-policy.png" /> ︎︎︎Objects Archive︎︎︎Artificial bodies︎︎︎返景 A Revisit of the Afterglow︎︎︎Forever Absence ︎︎︎undercurrent.xyz 伏流暗湧︎︎︎by Yen: Research diaries ︎︎︎by Noriko: All about words︎︎︎by DJ TigerMom: Playlists ︎︎︎by yennyenski: Video diaries https://teyenhsu.com/Gravity-and-a-Woman-Looking-for-Water Wed, 06 Dec 2023 08:15:32 +0000 teyen hsu https://teyenhsu.com/Gravity-and-a-Woman-Looking-for-Water 2023 Full Video Here︎︎︎ &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; 地吸引力和找水的女人 Gravity and a Woman Looking for Water A Fall doesn’t mean a failure, and a failure doesn’t mean that you will forever fall. But you fall. dual-channel video installation ｜ video in loop 12'46" ｜dimension variable This is a work made for the Non-EU artist collective —— vis-a-visa collective—— first exhibition:&nbsp; 1,2,3, Fail!As an old Chinese saying goes,“Failure is the mother of success.” and like Samuel Beckett said “Try again, Fail again, Fail better.”, I failed at making this sentence meaningful. Because this sentence is successfully meaningful.The worst case is failure, or, is just failure.You failed the trick in front of your crush even if you performed 100 times successfully before.The cake you made for 2 hours and it tastes really bad.Application being turned down, rejected, UNFORTUNATELY. There would be times that your failure means other’s success.But still, we get up and try. Failure keeps us aimful.“I can’t be failing all the time… right?” Failure, lack of success, the neglect or omission of expected or required action.What is failure after all?We failed good this time.The exhibition showcases a collective of non-EU designers and artists sharing their thoughts on the word Failure, and what and how failure could mean? (text written by teyen hsu) https://teyenhsu.com/Still-Life Wed, 06 Dec 2023 09:12:27 +0000 teyen hsu https://teyenhsu.com/Still-Life &nbsp; 2023&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Still Life&nbsp; Do not consider surface if it does not serve as the extension of the whole. The frame is not merely an ornament but an extension of the intrinsic logic, providing support to the essence to become what it is. Still water runs deep. _1&nbsp;60*58*8 cm | moving images in loop, personal belongings, plastic bags, digital frames _2&nbsp;40*35*4 cm | moving images in loop, textile, digital frame_3&nbsp;18*28*4 cm | moving images in loop, mirror, tissue, tears, pearls, digital frame 3_︎︎︎click for the video<img width="2816" height="1882" width_o="2816" height_o="1882" data-src="https://freight.cargo.site/t/original/i/ef22cfc2a2534c6c145c9b0ac26f98f51b26a913459d693b1b147d1f99c6b89e/-2023-12-01-1.57.26.png" data-mid="198709283" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/ef22cfc2a2534c6c145c9b0ac26f98f51b26a913459d693b1b147d1f99c6b89e/-2023-12-01-1.57.26.png" /> This work is commissioned by Dordrechts Museum for the exhibition A Room With A View. Through observing the everyday life in the past through paintings and archeological archives from the Dordrechts Museum. A group of designers reimagine and correspond the findings under the contemporary gaze. Through a room acting as a stage where our stories are told, the juxtaposition of past and present, old and new, presents what a generation is thinking about today. Inspired by the frame of The Glorification of Cornelis de Wit, painting by Jan de Baen, this series of works explored the frame of an image and its relation to the image and the space it inhabits from material frame to conceptual frame. 2_︎︎︎click for the video <img width="2818" height="1880" width_o="2818" height_o="1880" data-src="https://freight.cargo.site/t/original/i/e0aaa7aa8da93f16bc9a051e623543c786678dae15e2b8d8314d3b08d196c8d7/-2023-12-01-1.55.24.png" data-mid="198709007" border="0" data-scale="88" src="https://freight.cargo.site/w/1000/i/e0aaa7aa8da93f16bc9a051e623543c786678dae15e2b8d8314d3b08d196c8d7/-2023-12-01-1.55.24.png" />1_︎︎︎click for the video<img width="1890" height="1417" width_o="1890" height_o="1417" data-src="https://freight.cargo.site/t/original/i/5dc146a6f1c86baa8ed6b1d1d4a51c70086f7803ade00c658212c5ec844cfaf7/-1.jpg" data-mid="198709004" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/5dc146a6f1c86baa8ed6b1d1d4a51c70086f7803ade00c658212c5ec844cfaf7/-1.jpg" /><img width="5422" height="3873" width_o="5422" height_o="3873" data-src="https://freight.cargo.site/t/original/i/67fb70b73cf41cd61a87136a2b2c5b1c0806b6d1d59e02150b6100111a4edb0c/DSC02731.jpg" data-mid="198708953" border="0" src="https://freight.cargo.site/w/1000/i/67fb70b73cf41cd61a87136a2b2c5b1c0806b6d1d59e02150b6100111a4edb0c/DSC02731.jpg" /><img width="5962" height="3590" width_o="5962" height_o="3590" data-src="https://freight.cargo.site/t/original/i/d26ad4b567bb164d02917740dbfcbf61895820188791db771fdebabb78338fc9/bw1.jpg" data-mid="198709342" border="0" src="https://freight.cargo.site/w/1000/i/d26ad4b567bb164d02917740dbfcbf61895820188791db771fdebabb78338fc9/bw1.jpg" /> https://teyenhsu.com/framed Wed, 06 Dec 2023 10:12:12 +0000 teyen hsu https://teyenhsu.com/framed &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;2023Full Video Here︎︎︎ Framed 🎶 Girl put your earphones on 🎶A voice message of a love letter to my beloved extracorporeal organ which sometimes makes my pinkies numb. <img width="1000" height="2017" width_o="1000" height_o="2017" data-src="https://freight.cargo.site/t/original/i/d07125d74db4aebbcec1df2c2d47830492ed5b4e490db43f9d4eba70c8464d79/12.png" data-mid="198710336" border="0" src="https://freight.cargo.site/w/1000/i/d07125d74db4aebbcec1df2c2d47830492ed5b4e490db43f9d4eba70c8464d79/12.png" /> single channel video in loop&nbsp; | 5'20" | dimension depends on the mobile phone “This object, which present most of the images you see after the first decade of the 21st century, shares the same system as the panel paintings before the 12th Century. The frame and the painting are the same piece of wood. They carved the frame first, and painted in the hollow. The frame decided the limitation, the boundary, the possibility of an image, a story in color, the way of seeing, the power of creation. It engraved an illusion of a world within itself. A world is stretching out within slimmer and slimmer edges, and we seems to have more space.” This work is commissioned by Dordrechts Museum for the exhibition A Room With A View. Through observing the everyday life in the past through paintings and archeological archives from the Dordrechts Museum. A group of designers reimagine and correspond the findings under the contemporary gaze. Through a room acting as a stage where our stories are told, the juxtaposition of past and present, old and new, presents what a generation is thinking about today. Inspired by the frame of The Glorification of Cornelis de Witt, painting by Jan de Baen, this series of works explored the frame of an image and its relation to the image and the space it inhabits from material frame to conceptual frame. https://teyenhsu.com/Make-Things-Sacred-Again-O-M-G-1 Wed, 06 Dec 2023 10:27:30 +0000 teyen hsu https://teyenhsu.com/Make-Things-Sacred-Again-O-M-G-1 2022 click for full video︎︎︎ Make things Sacred Again This is the diploma project of Te-Yen Hsu in her study of master degree at Design Academy Eindhoven. It contains the thesis —— Make Things Sacred Again: notes on the religious dimension of design, and a design project—— O.M.G. Make Things Sacred Again: notes on the religious dimension of design Master’s Thesis | Contextual Design |Design Academy EindhovenApril, 2022, Eindhoven, NL |&nbsp;Format: Newspaper, 36 pages. Good news and serious deep shit should always be thrown away easily.&nbsp;🕳️ Abstract In belief systems, how do people experience the sacredness through the materiality of objects? How do these sacred things come into being through the process of design? Does the original idea of design - as an act of creating - also reflect a religious attitude? What is a religious attitude and what does “sacred” really mean? These questions both fascinate and confuse me. Carrying the questions with me, I started to explore the reification and materialization in religion, especially Taiwanese folk religion. The thesis thus became a personal reflection on modernity and my interest in humanity through understanding the history and material culture of religion. I found that the concept of “religion”, this forbidden topic in small talks, is very different from how it is presented, categorized and observed in modern secular society. By digging into material culture, I realized that we cannot know who we are, or become what we are, except by looking in a material mirror, which is the historical world created by those who lived before us and confronts us as material culture, and that continues to evolve through us. Through these findings, I have a clearer vision on how spiritual and material life have influenced and contributed to each other, thus intertwining to form a real world historically and continuously. Material culture can’t be created without design, therefore, I try to reflect what I found on the world of design. Divided into three chapters, the thesis follows a brief narrative of religion-idol-creation, presenting the dialogue between sacred objects and design, religious attitude and design, and attempting to answer the simple yet profound mystery of “what is design and how it can be”? <img width="4961" height="3508" width_o="4961" height_o="3508" data-src="https://freight.cargo.site/t/original/i/02e46cae8a3c35a3f2cd42e1a77ebdc052d6e2295a7a05102148e960850f0ccb/intro.jpg" data-mid="198711677" border="0" src="https://freight.cargo.site/w/1000/i/02e46cae8a3c35a3f2cd42e1a77ebdc052d6e2295a7a05102148e960850f0ccb/intro.jpg" /> <img width="4961" height="3508" width_o="4961" height_o="3508" data-src="https://freight.cargo.site/t/original/i/f7c3097a36f762ea2edac849819c754bbc2cec5f6949bdebd6dcb6b3b3db7659/cover.jpg" data-mid="198711674" border="0" src="https://freight.cargo.site/w/1000/i/f7c3097a36f762ea2edac849819c754bbc2cec5f6949bdebd6dcb6b3b3db7659/cover.jpg" /> <img width="4961" height="3508" width_o="4961" height_o="3508" data-src="https://freight.cargo.site/t/original/i/abb9b968548219723be0f202ffca923ae458a1ac5f35465b3dd84ea0a20cf922/intro2.jpg" data-mid="198711725" border="0" src="https://freight.cargo.site/w/1000/i/abb9b968548219723be0f202ffca923ae458a1ac5f35465b3dd84ea0a20cf922/intro2.jpg" /> <img width="1494" height="842" width_o="1494" height_o="842" data-src="https://freight.cargo.site/t/original/i/e75adcf27769c1de866665cfcbe21d358a31ee93f9f496f702cb1bb7081d4374/-2022-05-13-10.26.24.png" data-mid="198712221" border="0" src="https://freight.cargo.site/w/1000/i/e75adcf27769c1de866665cfcbe21d358a31ee93f9f496f702cb1bb7081d4374/-2022-05-13-10.26.24.png" /> 2022 O.M.G.multimedia installation | dimension variable | 3 channels videos, ceramics, screens, synthetic hairO.M.G. reconstructs the allegory of sacredness in everyday objects by exploring the interplay between religion and design through immaterial and material cultures. Hsu’s research confronts religious attitudes and the concept of the sacred, adopting Mircea Eliade’s interpretation thereof. Eliade has emphasized that epiphany is inherent to being, permeating the mental, economic, spiritual and social lives of humans and their societies. Furthermore, we cannot be certain that any given phenomena – objects, movements, mental functions, games – have not become sacred in some era of human history. Hsu believes that this sacred manifestation stays with us, arguing that the religious nature of early civilizations spawned design. In other words, design and religion are connected in that they both posit that the visible and invisible world mutually permeate each other. Hsu approaches this interconnection from the position of a designer and maker, imagining how and why our ancestors started to design. Following traces left by previous cultures in the form of mythologies, legends and artifacts, Hsu creates a bricolage of the ontological nostalgia of human-made objects. She uses the human body as a medium for the performance of a sympathetic magic between ancient and modern times. Taking the law of similarity – the effect resembles the cause – as a guiding principle, Hsu postulates a speculative narrative in which the body is the archetype of technology and modern objects. She builds a multimedia installation with sculptural objects and a video that mashes together popular culture both past and contemporary: from ancient mythologies to TikTok trends. Through her project, Hsu aims to design a new perspective on everyday objects, a reality formed by organs extending historically and transcendentally. <img width="2641" height="2436" width_o="2641" height_o="2436" data-src="https://freight.cargo.site/t/original/i/dd07e6fe6066a78fe431f2c8f1d3b1e4c483e1089498657110a1c5e1154c5e5e/make-things.png" data-mid="198713556" border="0" src="https://freight.cargo.site/w/1000/i/dd07e6fe6066a78fe431f2c8f1d3b1e4c483e1089498657110a1c5e1154c5e5e/make-things.png" /> <img width="3188" height="3516" width_o="3188" height_o="3516" data-src="https://freight.cargo.site/t/original/i/05f8d4953a359cf5a027fa2bc8e5c5ea4e1ad6c2f74cef44f503dee64ab883ac/huhushadow.png" data-mid="198714055" border="0" src="https://freight.cargo.site/w/1000/i/05f8d4953a359cf5a027fa2bc8e5c5ea4e1ad6c2f74cef44f503dee64ab883ac/huhushadow.png" /> Female in Earth, 2022, 100*95*90 cm <img width="1278" height="1704" width_o="1278" height_o="1704" data-src="https://freight.cargo.site/t/original/i/3f0cb89bba91952ee498b521da39e420cde5cb67b36f97d9d89893a499e388d8/-2022-11-25-2.51.19.png" data-mid="198714103" border="0" src="https://freight.cargo.site/w/1000/i/3f0cb89bba91952ee498b521da39e420cde5cb67b36f97d9d89893a499e388d8/-2022-11-25-2.51.19.png" /> No Shoes On the Rug ,&nbsp;90*200*2 cm.&nbsp; https://teyenhsu.com/How-to-Read-a-Picture Wed, 06 Dec 2023 12:32:56 +0000 teyen hsu https://teyenhsu.com/How-to-Read-a-Picture &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;2020 How to Read a Picture? Multi-media Installation | dimension variable | 3-meter-long printed paper, speaker, single-channel video, a hidden photo An interpretation on George Perec’s “infraordinary” by looking into how our so-usual-that-we-ignored brain process a picture. press play for sound&nbsp;︎︎︎ <img width="10630" height="41339" width_o="10630" height_o="41339" data-src="https://freight.cargo.site/t/original/i/a2cf2fc4e2e56e3a30fc5047961d2f355bf71f99964abdb2b9a22eb29b449e4b/200255CD1.jpg" data-mid="198716620" border="0" src="https://freight.cargo.site/w/1000/i/a2cf2fc4e2e56e3a30fc5047961d2f355bf71f99964abdb2b9a22eb29b449e4b/200255CD1.jpg" /> https://teyenhsu.com/Do-Nothing-Machine-1 Wed, 06 Dec 2023 13:02:42 +0000 teyen hsu https://teyenhsu.com/Do-Nothing-Machine-1 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;2021 Do Nothing Machine multimedia installation | dimension variable |&nbsp;a room, some furnitures, a manual, a TV, a video plaiying in loop "The living, breathing body in this room is real. I am not an avatar, a set of preferences, data for commercial ads, means of productivity, or some smooth cognitive force. I’m lumpy, sloppy, I’m an animal, I hurt sometimes, and I’m different one day to the next. I hear, I see, and I smell things I sing, I dance and I am happy. And it can take a break to remember that, a break to do nothing, to listen, to remember what we are and where we are." <img width="1066" height="1514" width_o="1066" height_o="1514" data-src="https://freight.cargo.site/t/original/i/948dc7ca0d479e2cfd5276e19890f54aa3ef5919346c6c9adb548a6e07aa6377/-2023-12-06-2.17.59.png" data-mid="198718574" border="0" src="https://freight.cargo.site/w/1000/i/948dc7ca0d479e2cfd5276e19890f54aa3ef5919346c6c9adb548a6e07aa6377/-2023-12-06-2.17.59.png" /> <img width="827" height="828" width_o="827" height_o="828" data-src="https://freight.cargo.site/t/original/i/4434210aba335c53558a91cdd4cc8f834a26c3b996f15fcc6859fcf09a08f59c/178808354_454615512308668_1230159968293397717_n.jpg" data-mid="198718120" border="0" src="https://freight.cargo.site/w/827/i/4434210aba335c53558a91cdd4cc8f834a26c3b996f15fcc6859fcf09a08f59c/178808354_454615512308668_1230159968293397717_n.jpg" /><img width="827" height="465" width_o="827" height_o="465" data-src="https://freight.cargo.site/t/original/i/f02ca2fb2dd04399a54b260a40a34825c26792fb289d049ffa579eab21eaf732/178498303_2814557392118858_2211392044190257509_n.jpg" data-mid="198718125" border="0" src="https://freight.cargo.site/w/827/i/f02ca2fb2dd04399a54b260a40a34825c26792fb289d049ffa579eab21eaf732/178498303_2814557392118858_2211392044190257509_n.jpg" /><img width="2500" height="1769" width_o="2500" height_o="1769" data-src="https://freight.cargo.site/t/original/i/00e880aaccc9c706f15de66ea76dbeddfb99ca3c1413ba714a563c8be6c02c95/1.png" data-mid="198718058" border="0" src="https://freight.cargo.site/w/1000/i/00e880aaccc9c706f15de66ea76dbeddfb99ca3c1413ba714a563c8be6c02c95/1.png" /><img width="2450" height="3600" width_o="2450" height_o="3600" data-src="https://freight.cargo.site/t/original/i/7dacd999c6349f9e979b584d2ddd40225afcd0ab32e01302ce98091979cef600/s.jpg" data-mid="198718185" border="0" src="https://freight.cargo.site/w/1000/i/7dacd999c6349f9e979b584d2ddd40225afcd0ab32e01302ce98091979cef600/s.jpg" /> https://teyenhsu.com/After-Consent Wed, 06 Dec 2023 13:35:49 +0000 teyen hsu https://teyenhsu.com/After-Consent &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;2021 After Consent installation | dimension variable | a room, red strings, printed paper, facebook, newyorkermagazine website Follow the cookie crumbs. <img width="2140" height="627" width_o="2140" height_o="627" data-src="https://freight.cargo.site/t/original/i/5e0fd38571a8a8d1e655b2f2185a53d2d870bc4c681df4cf0024a64374168b92/privacy-policy.png" data-mid="198721559" border="0" src="https://freight.cargo.site/w/1000/i/5e0fd38571a8a8d1e655b2f2185a53d2d870bc4c681df4cf0024a64374168b92/privacy-policy.png" /> <img width="2786" height="3714" width_o="2786" height_o="3714" data-src="https://freight.cargo.site/t/original/i/205d74acd29d124f64b9cb215b15638b5e04c9656fa47051d588a94ef9203d2c/IMG_0181.jpg" data-mid="198721578" border="0" data-scale="91" src="https://freight.cargo.site/w/1000/i/205d74acd29d124f64b9cb215b15638b5e04c9656fa47051d588a94ef9203d2c/IMG_0181.jpg" /><img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/8bcdcbd9534b4a3dc55f21127f16bd0b16a66cc0cab2088ca57262881433148a/IMG_0177.jpg" data-mid="198721632" border="0" data-scale="91" src="https://freight.cargo.site/w/1000/i/8bcdcbd9534b4a3dc55f21127f16bd0b16a66cc0cab2088ca57262881433148a/IMG_0177.jpg" /><img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/c3154aa12ca8eab394ec765adede451600609df3e0e3bdf08493eab30161366f/IMG_0175.jpg" data-mid="198721738" border="0" data-scale="91" src="https://freight.cargo.site/w/1000/i/c3154aa12ca8eab394ec765adede451600609df3e0e3bdf08493eab30161366f/IMG_0175.jpg" /><img width="1773" height="2961" width_o="1773" height_o="2961" data-src="https://freight.cargo.site/t/original/i/2a5a0394e98d2d19fa34e683dd76d7f78f985a299b163f15e86fd5cc02bfb450/IMG_0170.jpg" data-mid="198721752" border="0" data-scale="91" src="https://freight.cargo.site/w/1000/i/2a5a0394e98d2d19fa34e683dd76d7f78f985a299b163f15e86fd5cc02bfb450/IMG_0170.jpg" />